Diane Hartman
For my RSA project, I wrote three poems: The Ark Speaks, Julian of Norwich Speaks, and A Woman Speaks in Her Journal of the Pandemic. Although different, all three of these poems incorporate the major topics and themes studied and discussed in the seminar: Noah’s Ark, the Great Floods, gender equality, systemic racism, plagues and pandemics, and climate change.
The Ark Speaks
When the man built me, my rough planks were
pounded together, one against the other,
to form an enormous floating vessel.
“Ark” he named me, a carriage of safety.
The blood from the man’s injured hands
seeped into my crevices, like wine spilled
across a wooden altar, sealing God’s promise
of salvation by means of one good man.
He didn’t seem that good to me,
angrily cursing at the mocking crowd,
ordering his family around like they were slaves,
inebriated, staggering with unearned swagger.
He was the chosen one?
Then the animals arrived, a cacophony of relentless
noise and arduous movement. And I was afraid.
There were too many. How could I hold all of them?
The Deluge came next.
The remaining animals hustled in as God
heaved the door shut to the cries of
the drowning crowd. What loving God does this?
Day became night and night became day.
I struggled to stay afloat through the weight
of their shuffling. “Stay still!” my boards groaned,
until finally the women took charge
and the animals became calm.
The rain stopped, but we floated on.
The raven didn’t return, and all were restless.
I thought about giving up, of letting my bulging
sides surrender to the water. But I was chosen too.
Chosen to give every living thing a second chance.
The dove returned bearing an olive branch.
She flew off again and did not come back.
Those aboard waited impatiently until
my worn-out body struck some rocks.
They disembarked chaotically, my boards
bearing the weight of their self-centered descent.
While I who had saved them was left to rot.
The obedience of one is the salvation of many.
A Woman Speaks in Her Journal of the Pandemic
March 1, 2020
I waited to meet him after the concert.
When it was my turn, he hugged me with his long,
thin guitar-playing hands. Could I be blamed
for wanting more? He signed my copy
of his first album, now fifty years old,
and we laughed at the way
he looked then and the way we look now.
We talked about how fortunate we are
to be doing the things we love.
April 17, 2020
Quarantined. We were so naïve.
News about this strange new
virus from China snaking its way onto our shores
wasn’t on our radar. We were oblivious that,
within a few weeks, it would invade
our country and the world, sickening us,
killing without mercy.
May 29, 2020
A trip to the grocery store
is a post-apocalyptic experience.
Words like “mask,” “pandemic,” “Zoom”
and “Covid-19”
monopolize our lexicon.
June 10, 2020
We watch in horror as personal opinion
supersedes scientific fact. How our leaders
continue to fail us. How fear
has replaced hope. I want to
escape from the world of alternative facts
and the systemic racism the virus reveals,
a plague older than our nation.
July 1, 2020
When will this strange new way of life end?
I want to hug my grandchildren, my family,
my friends, even strangers, but we must
keep socially distant. Everything is on hold.
My travel plans are canceled.
July 17, 2020
Helpless, I retreat to my ark—
my house, my dogs, my books. My solitude
makes Thoreau seem a party animal.
I write, read, and watch too much TV.
Melancholy sits beside me.
“Get out!” I scream. “Get the hell out!”
It slowly slinks behind a pile of laundry.
October 27, 2020
Isolation reaches a saturation point that startles me.
I turn to music, poetry, and art. James Taylor’s
“Tend your own fire, lay low and be strong”
affirms my solitude. Poet Wendell Berry
reminds me to “rest in the grace of the world.”
January 20, 2021
More deaths in our country
than during WWII. I gaze
at Hokusai’s The Giant Wave and imagine
my heart opening with a great gust,
blowing all traces of the virus away.
I cling to that moment
like a swimmer caught inside the calm
of the giant wave before it rolls over
and thrashes the shore.
Julian of Norwich Speaks
1.
I was six years old
when the Great Pestilence
entered my city of Norwich.
Black Death: Bubonic,
Pneumonic, Septicemic.
Coughing, fever, swellings
the size of an egg oozing
blood and pus, changing
into hideous black boils.
The stench and screams
Constant, never-ending.
Those infected died within
Days, decimating half of
the population. We
painted red crosses on our
doors and prayed as the
death carts rumbled day
and night past our window.
Only my mother and I survived.
My father and siblings were consumed
by its hell-bent fury, carried down
the stairs and out the door
to a mass burial pit.
I carried the memory of the
stench, the screams, the
suffering, and the survivor’s
guilt with me. Therefore,
I was a good girl. I pleased
my mother who took over
my father’s textile business
and worked hard to provide.
2.
The Second Pestilence arrived
twelve years later in 1361. I was married,
with child and doting over our toddler.
The Mortality of Children snatched our
child and my husband. Within a few
months, the population of Norwich
had fallen by twenty percent. I gave
birth to my daughter soon after. My
mother and I pulled together and
carried on, giving my daughter
the best life we could. I managed
my husband’s textile business
and prayed that my child would
not be taken from me. My grief
and my nightmares kept me
awake most nights, and I prayed
for redemption from my guilt.
3.
A short eight years later came
the third plague. This one
had no name, but it was great
beyond measure, especially
fatal to children, but the
good Lord spared my child.
Only God knows why. Still,
it decimated our cattle and crops.
The wrath of God descended
upon the land, but we persevered.
I could find no peace from
the constant bombardment of
stress, fear and mourning. I
ceased to feel anything.
God was so far away. I prayed
for strength to endure, but
why was there so much death?
4.
A few years later my resilience
faltered and the Dark Night
consumed my soul, shattering
it and my body to pieces.
Pain permeated parts of my body
and numbness found the rest.
My head and lungs were on fire.
I did not care whether
I lived or died. My mother and friends
attended to me constantly,
but I grew worse, and was
administered Last Rites.
I was watching myself in
slow motion, dying.
But I did not die.
Suddenly, I was healed.
My pain was taken from me
and I was completely whole.
I knew that it was the private
working of God. And then
the most miraculous
revelations were shown
to me. Over a period
of time God revealed
many Truths. So intense
was my passion to share these
Truths of God’s love for us that
I wrote my account of these
“showings” in my native
language, not knowing
that I would be the
first woman to write
a book in English.
I wrote that I saw the
world in a hazelnut
and knew that it would
last forever because
God so loved it. I saw
that there is nothing
between us and the
love of God. No priest,
no bishop, no pope. I
saw that as truly as God
is our father, as truly is
God our mother. I saw
that love is the
beginning and the end
of all Revelation.
I kept my visions and
my writings mostly
to myself. No one in
authority could know
lest I be misunderstood,
branded a heretic,
beaten and jailed.
5.
A fourth Great Pestilence,
closely followed by a fifth,
returned to Norwich in 1378.
My beloved daughter,
so good and so beautiful
was taken from me.
I don’t know which was worse,
suffering through two great
plagues or suffering the
loss of my second child.
I was inconsolable
for many years.
6.
As time passed, the
corrupt bishop became
suspicious of my knowledge.
I was careful to memorize
Biblical texts and sermons
and to never be seen
with a book. I concealed
my writing life and my
ministry to my close
group of women. I
grew weary of hiding and
longed for a life of
quiet contemplation.
I held no desire to
join the convent and, thus,
be held under the thumb
of the priests and bishops.
Instead, at the age of fifty,
I became an anchoress at
the church in Norwich,
enclosed in a small room
with three narrow windows.
There I could watch the
liturgy and take the
Eucharist, receive my
meals, linens, and writing
materials. Behind a
cloth curtain, I could
minister to those seeking
advice on spiritual matters.
Though physically enclosed,
I gained complete freedom
to write, read, pray and
minister to visitors.
It was there that I lived
for twenty years until
the end of my life. It was
there that I wrote the long
and the short versions
of my “showings.” And
it was there that I
contemplated the true
meaning of what God
revealed to me beyond
the specter of suffering,
disease and death: “And
all shall be well, and
all shall be well, and
all manner of thing
shall be well.”
About Diane Hartman
A recipient of many writing awards, including the Midwest Writers Workshop Fellowship, Diane Hartman is currently writing a memoir about her solo adventures in Ireland. A retired librarian and teacher, and a life-long Hoosier, Diane lives with her two rescue dogs in a house filled with books.